Desperate for companionship, a lonely, young Palestinian-American man agrees to marry an Israeli woman in need of a Green Card, forcing them to re-examine their respective cultural and familial traditions.
There is a centuries-old seawall in the ancient port of Akka, located on Israel’s northern coast. Today, Akka is a modern city inhabited by Muslims, Christians, Jews, and Baha’i, but its history goes all the way back to rule of the Egyptian Pharaohs. Young people dare to stand atop the 40′ one-meter thick block structure and risk their fate by jumping into the roiling sea. This perilous tradition has continued for many generations, and has become a rite of passage for the children of Akka. “It’s Better to Jump” is about the ancient walled city of Akka as it undergoes harsh economic pressures and vast social change. The film focuses on the aspirations and concerns of the Palestinian inhabitants who call the Old City home.
Documentarians Justine Shapiro and B.Z. Goldberg traveled to Israel to interview Palestinian and Israeli kids ages 11 to 13, assembling their views on living in a society afflicted with violence, separatism and religious and political extremism. This 2002 Oscar nominee for Best Feature Documentary culminates in an astonishing day in which two Israeli children meet Palestinian youngsters at a refugee camp.
A re-imagining of the old mystical folklore that follows a woman and a tight-knit Jewish community that is besieged by foreign invaders. She conjures a dangerous creature to protect them but it may be more evil than she ever imagined.
Doron, a security operative, who takes on one last mission: to capture, number 3 in the terrorist organization of Hezbollah, in Lebanon. With an elite force, Doron enters Lebanon to complete his last mission. Very soon he discovers that reality is not so simple, and that a new and unknown enemy is to be dealt with – and Hezbollah are the last thing on his mind. Doron has to deal with a ticking clock in the form of extensive I.D.F attack and a bloodthirsty enemy, Now that their enemy has changed its face, it’s up to him and his unit to wage a new war, a different war, to find an antidote, get back across the border, before the middle east conflict is changed forever.
A naive drifter runs away from his army father in hopes of making it on the car racing circuit. In Las Vegas, he meets a young scam artist, who develops a crush on him. He is then introduced to a whole gang led by a young hustler. The racer-to-be then gets a lesson in the wild side, getting involved in one situation after another. Patsy Kensit makes a cameo as another hustler and Daryl Hannah appears as the scam artist’s surrogate mom.
Goldberg is short and thin. He wears glasses. He’s lonely. He’s a mediocre computer programmer that lives in Tel Aviv and spends most of his energy searching online for a girlfriend. His only friend is Audrey, his beloved female dog. Eisenberg is a thug. Tall, fat, approaching middle age and not completely sane. He spends his days slouching around Meir Park, harassing innocent bystanders and doing business with petty thieves and small-time criminals. Unfortunately the two cross paths, and Eisenberg decides that they should start hanging out. But something in his demeanor says that he wants to be much more than just friends…This is a story about random meetings with strangers that lead to anxiety and paranoia. About lonely people in the big city. About losing control.
A group of friends in a Tel Aviv suburb get together to watch Universong, a Eurovision-like television song contest. They gather to watch and are depressed by the lifelessness of the Israeli entry, a parody of many recent offerings, a flashy, grating song about “amour.” Realizing that Anat is distraught over the crisis in her marriage, they decide to compose a song to cheer her up. As a lark, they enters their cellphone video of it in next year’s contest, and it becomes Israel’s entry.
LEMON TREE meets JOHN LE CARRÉ in a subtle thriller set in Germany involving Mona, a Lebanese woman (Golshifteh Farahani), and Naomi, an Israeli Mossad agent (Neta Riskin) sent to protect their informant while recovering from plastic surgery for her new identity. Mona and Naomi – together for two weeks in a quiet apartment in Hamburg. A safe house. A shelter. No one saw what was coming, no one knew that this supposedly quiet fortnight would turn into an abyss and that shelter would need to be found elsewhere. The intimacy of the relationship that develops between the two women is exposed to the threat of terror that is engulfing the world today. In this game of deception, beliefs are questioned and choices are made that are not their own. And yet their fate takes a surprising turn in this suspense-laden, elegant neo-noir.
Away from professional stadiums, bright lights, and manicured fields, there’s another side of soccer. Tucked away on alleys, side streets, and concrete courts, people play in improvised games. Every country has a different word for it. In the United States, we call it “pick-up soccer.” In Trinidad, it’s “taking a sweat.” In England, it’s “having a kick-about.” In Brazil, the word is “pelada,” which literally means “naked”—the game stripped down to its core. It’s the version of the game played by anyone, anywhere—and it’s a window into lives all around the world. Pelada is a documentary following Luke and Gwendolyn, two former college soccer stars who didn’t quite make it to the pros. Not ready for it to be over, they take off, chasing the game. From prisoners in Bolivia to moonshine brewers in Kenya, from freestylers in China to women who play in hijab in Iran, Pelada is the story of the people who play.
When Eyal finishes the week of mourning for his late son, his wife urges him to return to their routine but instead he gets high with a young neighbor and sets out to discover that there are still things in his life worth living for.
Iconic Welsh rock musician Mike Peters’ rise to fame, battle with cancer and inspiring return, featuring one-of-a-kind performances from other legendary musicians.
A documentary exploring how Albanians, including many Muslims, helped and sheltered Jewish refugees during WWII at their own risk, and trying to help the son of an Albanian baker that housed a Jewish family for a year return some Hebrew books that the family had to leave behind.
An accidental murder brings two girls together in a series of wild crimes and romance over the course of an evening.
HANNAH ARENDT is a portrait of the genius that shook the world with her discovery of “the banality of evil.” After she attends the Nazi Adolf Eichmann’s trial in Jerusalem, Arendt dares to write about the Holocaust in terms no one has ever heard before. Her work instantly provokes a furious scandal, and Arendt stands strong as she is attacked by friends and foes alike. But as the German-Jewish émigré also struggles to suppress her own painful associations with the past, the film exposes her beguiling blend of arrogance and vulnerability — revealing a soul defined and derailed by exile.
Morad – a teenager from an Arab village in the north of Israel disconnects himself from humans following a violent attack that he experienced. As a last resort before hospitalization in a Mental Institution, he is taken by his devoted father to be treated with Dolphins in Eilat. Morad starts speaking again after months of silence, but he erases his past and refuses to go home to his awaiting mother. This documentary about the devastating havoc that human violence can wreak upon the human soul, and about the healing powers of nature and of love, was filmed over the course of the past four years.
A young officer returns to his base after a daring mission. The cook’s assistant, a religious Holocaust survivor, is envious of him. He believes that there is a place in heaven reserved for the brave officer who endangers his life for the sake of his Jewish brethren. The officer, in the spirit of the Zionist ethos, is secular and a non-believer. At the moment, he is so hungry that, for a plate of shaksuka, he is prepared to sign a contract transferring his secured place in heaven to the cook. Some forty years later, the present time of the movie, the tables have turned – the officer, now a retired general, is on his death bed in the hospital. His son who, to his father’s horror, has found religion, is in a race against time. Before his father dies, he has to find that cook’s assistant who, forty years earlier, bought his place in heaven. If and when he finds him, the son has to nullify the contract. If he doesn’t, his father will go to hell.
Filmmaker Talya Lavie steps into the spotlight with a dark comedy about everyday life for a unit of young female Israeli soldiers. The human resources office at a remote desert base serves as the setting for this cast of characters, who bide their time pushing paper, battling for the top score in Minesweeper, and counting down the minutes until they can return to civilian life. Amidst their boredom and clashing personalities, issues of commitment—from friendship to love and country—are handled with humor and sharp-edged wit. In Hebrew with subtitles.
Ever since 17-year-old Rachel Levy, an Israeli, was killed four years ago in Jerusalem by a Palestinian suicide bomber, her mother Abigail has found hardly a moment’s peace. Levy’s killer was Ayat al-Akhras, also 17, a schoolgirl from a Palestinian refugee camp several miles away. The two young women looked unbelievably alike. TO DIE IN JERUSALEM unabashedly explores the Palestinian-Israeli conflict through the personal loss of two families. The film’s most revealing moment is in an emotionally charged meeting between the mothers of the girls, presenting the most current reflection of the conflict as seen thru their eyes.
In an unprecedented and candid series of interviews, six former heads of the Shin Bet — Israel’s intelligence and security agency — speak about their role in Israel’s decades-long counterterrorism campaign, discussing their controversial methods and whether the ends ultimately justify the means. (TIFF)
Based on the novel “Panther in the Basement” by the world-renowned author, Amos Oz, the movie takes place in Palestine in 1947, just a few months before Israel becomes a state. Proffy Liebowitz, a militant yet sensitive eleven year old wants nothing more than for the occupying British to get the hell out of his land.
A debate rages over the credibility of the Bible. Most archaeologists today have concluded that there’s no evidence that the Exodus of Israelite slaves from Egypt ever happened. Filmmaker Timothy Mahoney faces a crisis of faith: “Is this foundation event of the Bible really just a myth?” He embarks on a 12-year journey around the world to search for answers. Patterns of Evidence: The Exodus unlocks the mystery of this ancient saga, combining a scientific investigation with a retelling of the Exodus story to reveal an amazing pattern of evidence matching the biblical account that may challenge our understanding of history. It features stunning animations, narration by Kevin Sorbo (God’s not dead, Hercules: The Legendary Journey), interviews with leading archaeologists such as Israel Finkelstein, Kent Weeks, and David Rohl, and guest appearances by Israel’s Benjamin Netanyahu and Shimon Peres.
The suspenseful chronicle of how the prodigious Polish violinist Bronislaw Huberman helped save Europe’s premiere Jewish musicians from obliteration by the Nazis during World War II. In three years, he transformed from a world renowned violinist to a humanitarian racing against time.
A group of friends at a Jerusalem retirement home build a machine for self-euthanasia in order to help their terminally ill friend. When rumors of the machine begin to spread, more and more people ask for their help, and the friends are faced with an emotional dilemma
the story of two adolescents, Moni and Zhozho, who meet 17-year-old Zheni in 1943 and with whom both fell in love. The events that follow unfold while Bulgaria has to decide on the deportation of 11 343 Jewish citizens in Macedonia and Thrace.
A man arrives to his house in order to notify his wife that he was leaving her, and steps into his own surprise vows renewal party.
Beitar Jerusalem FC is the most popular team in Israel and the only club in the Premier League never to sign an Arab player. Midway through a season the club’s owner, Russian-Israeli oligarch Arcadi Gaydamak, brought in two Muslim players from Chechnya in a secretive transfer deal that triggered the most racist campaign in Israeli sport and sent the club spiralling out of control.